Month: May 2018

Have a Seat: Clear Alternatives for Lucite Chairs

Thinking about how to work a Lucite seat into your d├ęcor? Wondering if a Lucite seat is the right answer? Wonder no longer: These seats are not only chic and stylish, but they might be classic and timeless if presented in the ideal way. So, if you’re in the market for a new seat contemplate your choices, as well as your existing area: Lucite may be the obvious answer.


The Louis Ghost chair by Philippe Starck is a classic design, and nearly impossible to fail with. A Lucite seat is a great complement to this shallow desk; a solid seat would probably overpower the table.

Tara Seawright Interior Design

Here’s the Louis Ghost chair , paired with another excellent layout: the Kartell Mademoiselle seat. Utilizing two Ghost chairs in the end of the table vs. six Mademoiselle chairs differentiates the look, and the taller Ghost seats add a mid-tier height. The floral toss pillow on the Ghost seats pulls them into the overall scheme.

Laura Burton Interiors

Lucite seats are a excellent option in monochromatic rooms, especially those which are already sparsely furnished. All these Lucite chairs provide room for seats without pulling away the attention from the focal point of the beautiful tub.

Jamie Laubhan-Oliver

If you want a Lucite seat to pop somewhat, dress it up! It looks like the designer tossed a faux sheepskin rug onto this Louis Ghost Chair, giving it a comfy texture.

Elad Gonen

There is something equally delicate and elegant about pairing Lucite chairs with a glass table. This is a good combination in a small space; the transparency of both tricks the eye into believing it is consuming less space than solid options. Colored dishware will add a”floating” pop of color to the tablescape!

Artistic Designs for Living, Tineke Triggs

Or, if space allows, pair Lucite chairs with a obviously cut wood table. The organic element of this dining table is too stunning to be overshadowed by deflecting seats — same goes for the vivid abstract on the wall!

Mal Corboy Design

Get modern chic with blue lighting in the kitchen, and also balance the effect together with Lucite bar stools. The transparency of this Lucite lets the seats take on the same colour.

Studio Marcelo Brito

Look closely — you almost miss the elusive Lucite seat within this pic! With neutrals controlling this seating arrangement, a Lucite seat adds one more spot to sit competing with the surrounding furniture.

Mark English Architects, AIA

If you select a bold color for your kitchen island, be savvy with what you choose for accessories. All these Lucite chairs take the crisp, elegant look vibe this kitchen is dishing while balancing the potency of this orange shade.

When using a Lucite seat feels too cold to you, pair it with a cushion. Matched with this organic dining table and comfy environment, the cushioned seat immediately feels more inviting.

Sigh, another amazing Kartell Mademoiselle seat. Don’t be scared to stick a Lucite seat in an otherwise conventional setting: it modernizes the look with a hint of the eclectic. Plus, in this instance, that the Mademoiselle adds a needed pop of playful color and pattern.

If you have wallpapered or painted your walls in a bold graphic, especially if the flooring or ceiling are contained, work a little Lucite into the space to create an equilibrium. The mirrored table paired using a Lucite seat and table lamp is elegant without interrupting the flow of these great stripes.


If you’re not 100 percent on the clear look, look at finding Lucite chairs with a hint of color. The smoky colour of these chairs heighten their existence, and also the further shade of grey gives the overall strategy more attention.

Ashford Associates

It may be somewhat tricky including seating in front of the entry to a space; you do not want to break the flow. However, Lucite seats are a great solution: they sneak in that excess spot to sit, and the room still feels open and relaxing upon entering. Lucite does it again!

Glass Tabletops Produce a Room Sparkle

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A Pattern Language: Mild From Two Sides

From the classic 1977 publication A Pattern Language, Christopher Alexander and others offer more than 250 “patterns” learned from conventional structure and research to the enhancement of towns, buildings, and structure. The still-influential publication gives architects and laypeople instructions for constructing better homes.

Pattern amount 159 — Light on Two Sides of Every Room — purports that the success or failure of a space is determined by the arrangement of daylight. According to observations of individuals in structures with rooms of varied lighting requirements, the writers conclude that light on two sides generates a better social setting.

Over three decades later we could extend their argument to incorporate the advantages toward green construction, especially at the reduced need for artificial light and the capacity to naturally ventilate a room.

Regardless of the reasoning, supplying windows on two sides isn’t always simple or even possible. Think of infill homes in cities or apartment buildings at high rises. Additionally, it can be more costly to execute a house with ins and outs versus a simple rectangular plan.

An ideal, in my head, would be a L-shaped plan which defines and outdoor space and is laid out with chambers shallow enough to possess flow-through ventilation. The next illustrations run the gamut with different spaces, styles and lighting effects which may be said to follow Pattern 159.

Ian Engberg

A narrow floor plan — one room deep — would be the best method to find light from two sides. Glazing on other sides brings light from two directions, tracking the sun as it moves across the sky. It also is ideal for ventilating a room. This case is extreme, with full-height glazing and operable glass partitions. The light is so even that the dining room feels like it’s outside.

Griffin Enright Architects

A different way to bring light in from two directions is by opening the living spaces into a big room, as in this case. A look inside …

Griffin Enright Architects

… reveals that light also comes from behind the kitchen a third wall, in left — and a skylight at the middle of the massive living area. All the light sources unite to make an equally lit inside where relaxation can be located in various areas, not only beside the windows.

Contemporary house architects

Within this double-height distance from a pool, light comes in both low and higher — via sliding glass walls and windows above on both sides, and via glass doors and clerestories on the other side. An individual can nearly feel the breeze going through the space.

Ziger/Snead Architects

This lengthy, bar house features sliding glass doors on both sides which bring fresh air into the different spaces, like light enters your house. An additional benefit is the perspective of the river (to the left of the photo) which can be found to each room in the house.


Not all homes with light on opposite sides require be modern glass boxes. This fairly rustic house features rooms with sliding doors opening to the yard, opposite operable windows.

With light on two sides of the dining room table, individuals are illuminated, and you can “read in detail the moment expressions which flash across people’s faces,” as Alexander and company assert.

Mark Henninger

As mentioned, it’s not always feasible to incorporate light on two sides of a space, especially light on opposite sides. In high-rise city living that is 1 reason corner units are so prized. The chambers, normally living rooms, which occupy the corner become the hottest. Light is a strong attractor, but so is the wide view afforded from the perpendicular windows.

DNM Architect

Smaller windows may achieve exactly the same attraction. The corner of the room is easily the most powerful attraction. One’s eyes and body — proceed towards the corner and the light.

Webber + Studio, Architects

There’s no hard and fast rule about the amount of a glass below the size of the space, though many of the examples featured here err on the side of too much light, combined with shades or other methods for controlling light. This small seating area features lots of windows and light, even just a third origin in the clerestory above the wall.

This photograph shows that even inserting a comparatively small window (at the middle of the photograph) reinforces a distance. Combined with the built-in seat, it produces a nice seating area which anchors the far end of the living space.

Hammer Architects

This house office features windows which wrap a corner, creating a pleasing surroundings but also rather a strong diversion.

Mahoney Architects & Interiors

Dining rooms are best for corners with windows on two sides. With today’s open plans, that usually means the kitchen additionally receives more sunlight. In this case the kitchen/dining place is adjacent to a small yard with some quite nice landscaping.

It’s important to think about the way the two-sided windows relate to the outside spaces, be they part of somebody’s house or remote vistas.

Redbud Custom Homes

Here’s a small dining room off the kitchen in which built-in seats is tucked under the two windows. The light and the seating anchor the distance and draw you to the corner. It’s simple to see the table being a website not just for meals, but also reading the paper, doing homework and other activities.

Webber + Studio, Architects

Bathrooms do not need to be excluded. At precisely the exact same house as the seating area with light on three sides, the bathroom has the tub right beneath the corner windows. Oh, to soak in this tub!


Another bathroom features two windows moved in the corner as a shower occupies that place. A bathroom is one of the best areas for such abundant light; it will help us wake up, also it provides us a much better idea of what we will look like once we get outside.

Gorgeous, Sudden Corner Windows
Design Details: Windows This Frame a View
Sliding Walls Bring the Outside In
Wood Slats for Pattern, Scale and Light
Translucent Surfaces: Canvases for Lighting and Shadow
The Case for Interior Courtyards

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Houzz Tour: Comfort and Elegance for 5

This stylish house near Birmingham, Ala. was created for a busy family of five with three contemporary girls. When the couple realized their home could not keep up with the bustling lifestyle of their fast-growing daughters, they knew it was time for a change. They did not want to leave their neighbors or their locality, though, so that they approached designer and close friend Dana Wolter to help them rework the house that they previously had.

Friends since right after school, Wolter was helping the customer using their house for years and had an intimate knowledge of the family’s day to day lifestyle. They wanted a refined, relaxing and efficient home, so Wolter opened the main floor using arched entryways, used light but lasting textiles, and made living spaces which allow for group activities in addition to time alone.

Dana Wolter

The living area is Wolter’s favored, since it is slightly from the standard. The customer’s daughters really like to come in here and see, so she wished to make a space that would signify that kind of cozy atmosphere. Instead of utilizing a standard setup, she used two lavish velvet chaise lounges.

The wall between the dining area and the living space was pumped out to help with light and flow. “The space is casual enough to curl up with a book or manage the overflow from a celebration,” Wolter says. The sconces are out of Village Firefly Antiques from Birmingham, and the white ottoman is out of Richard Tubb Interiors. The chandelier in the dining area is in the Briarcliff Shop in Alabama.

Dana Wolter

A reupholstered Louis XV style chair and side table makes great use of a vacant corner. It delivers a wonderful way to escape in the middle of the space if need be — or to draw closer. The corner is emphasized by a vignette of vintage and individual items from the clients. Wolter chose to cover the warm hardwood floor in this area with a combination of seagrass and cowhide for a layered, casual look.

Dana Wolter

Another living area on another side of the main floor has a more traditional and slightly formal setup, designed using the exact same soothing and relaxing color palette. Another seagrass rug grounds that the space, and plays the natural materials from the ground lamps out of Visual Comfort, the rustic-style coffee table, and the linen upholstery. A brick fireplace has been painted white, that unifies the room and brings attention to the gorgeous molding.

Dana Wolter

Wolter found the welcoming wing chair at Circa Interiors and highlighted it with a soft pillow in fabric by Beacon Hill. A chandelier out of Visual Comfort provides a feeling of texture and patina from the area. “We picked product by looking at the way we needed each room to function and went out of there,” says Wolter. The customer’s husband painted the corner bookshelf in a grey to complement a piece in their artwork collection over the mantle.

Dana Wolter

The dining area offers an setting for dinner celebrations and family dinners. Wolter covered a 60-inch round dining table in a drum design faux white leather. While Wolter and the customer wished to use a less costly fabric here and one which was easy to wash — they also wanted something which could bring an unexpected and lavish element to the layout. Antique chairs reupholstered in a pale blue shadow and custom window treatments complete the new but traditional space.

Dana Wolter

Bits of the customer’s classic china collection rest in addition to a vintage sideboard, ready to be put on the table at a minute’s notice. The clients really like to entertain, so creating a house that has been conducive to this — as well regarding the needs of their children — was important. “Their main aim was to make a more functional space whilst still keeping a very stylish home,” says Wolter.

Dana Wolter

Framed black and white photographs of the family hang from delicate chains in the entryway for a way to welcome guests to the family’s house. “To me this home is clean, crisp, and inviting, but also with a small edge,” says Wolter. “You can see glimpses of my style, but more importantly, it reflects my client and her loved ones. I really like that she trusted me enough to integrate what I view as her fashion into her property.”

Dana Wolter

A vignette in one of the halls showcases the customer’s preference for vintage goods and a timeless, well-worn look. “She’s a gorgeous woman, inside and out,” Wolter says of their customer. “Her sense of design is unquestionably seen throughout the house!”

Dana Wolter

Incorporating some classic and traditional design to this Georgian Revival house was a must for Wolter and its own customer. “She had some gorgeous pieces we had purchased for her previous house,” says Wolter. “So starting with this as a foundation and then adding it functioned well.”

Dana Wolter

Wolter had the property’s kitchen completely redone. At first, the area was an awkward U-shape with outdated cabinetry and appliances which wasn’t conducive to cooking, entertaining or eating. Wolter opened the space, inserted an additional arched entryway between the kitchen and the dining area, and place in an island with a marble top. A brand new cooktop was set up on the island, also barstools from Circa Interiors were set under.

Dana Wolter

A breakfast nook at the end of the extended kitchen area uses a gap left by the bay window. Wolter custom designed a metal and wood dining table for nook and used a banquette to supply the majority of the seating. Wolter enjoys to integrate banquettes into her layouts and has been especially happy with the way this one turned out.

Dana Wolter

The clients’ art collection is reflected in many of the darker and bolder tones in the property’s color palette. The grays from the painting over can be seen in the dark pillows accenting peridot chairs in the master bedroom. Even the gold beams of the table lamp and the delicate colors of the marble topped table appear to pay tribute to the tone of the artwork.

Dana Wolter

The master bedroom plays contrasting warm and cool shades in a blend of modern and traditional designs. The custom upholstered headboard has been created additional tall to accent the room’s vaulted ceiling. Wolter had the bedding produced custom as well, and threw another cowhide back on the hardwood floor to help prevent feet from getting chilly in the morning.

Dana Wolter

The linen headboard, beach-like color palette, glass table lamp, and coral remnant almost evoke a relaxing nautical texture — but remains bright enough to work with the rest of the natural elements throughout the house.

Dana Wolter

A contemporary all-white bath was outfitted with tiles and fixtures from Kenny & Company. Sleek and streamlined, it has the exact same form of traditional grounding and natural influences as the rest of the home due to the marble countertop and tile, and the woven straw footstool.

Pictures by Jean Allsop Photography

More thoughts:
Can Your Living Room Be Better With no Sofa?
Houzz Tour: Fantasy House in Toronto
Houzz Tour: Paula Coldiron’s Affordable Fireplace

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