Colour and Craftiness in 3 Charming Virginia Spaces

Close your eyes and imagine the house of a colour- and – pattern-loving Virginia resident who teaches girls to sew and enjoys thrift shop shopping. Odds are, you just got a fairly accurate picture of Australia native Annabel Wrigley’s house.

Actually, it’s not only her home that fits this warm and creative mold. When her Little Pincushion Studio — through which, yes, she teaches girls how to sew — outgrew the little storage shed on her property, she applied her abilities (with the help of her students) to outfit a new studio space. And of course she couldn’t only leave the storage shed alone. That space got a glowing upgrade, too, as a game and media room for her two kids. Here’s a peek at all three of her eye-opening spaces.

in a Glance
Who lives here: Annabel and Darren Wrigley, son Oliver (age 13), daughter Ruby (11) and puppy Coco
Location: Warrenton, Virginia
Size: 1,800 square feet; 3 bedrooms, 2 bathrooms

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Daughter Ruby created a lot of the artwork on her bedroom wall.

The Japanese lantern was bought for $6 to a trip to New York’s Chinatown; the desk came out of a thrift shop and has been repainted.

Rug: Wayfair; pendant: Maskros, Ikea

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Annabel’s husband, Darren, made this built in desk nook for Ruby’s stitching area. Small floating shelves feature undermounted mason jars that save crafting supplies.

Annabel painted the chair, left over from a dining room set, a vibrant green.

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French doors from the living area open to a rear patio and an outside seating area.

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Hitting up thrift shops, Annabel spent $70 on most of the outdoor furniture, such as a mirrored coffee table and Guatemalan love chair.

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“Groupings are a excellent way to fill a blank space,” says Annabel. For the group of art above the sofa, she had original prints enlarged and framed for about $100. The slipcovered sofa was a 50 Craigslist find.

Despite having two young children, Annabel insisted on getting white couches. “White is absolutely the way to go,” she states. Her advice is to be certain that the fabric is washable and the covers are removable. The sofa on the right, beneath the window, is the sole furniture piece she bought new, from Rachel Ashwell Shabby Chic. “The best investment I ever made,” she states.

Watch more on practical white slipcovers

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An archway into the living area frames a set of green table lamps along with a tree trunk table bought from the Salvation Army.

Red seats: eBay

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Also from the living area, a red lamp out of Habitat for Humanity sits atop a record player and a tube radio in the ’50s.

“I have never set a budget for a room,” Annabel states. “I also don’t actually set a limitation on the bits I buy. I shop classic so often that I just come across great pieces at reasonable prices. If I find something that speaks to me, I will buy it.”

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The dining area is outfitted with largely secondhand finds. Annabel cites the Salvation Army, Habitat for Humanity, flea markets, auctions and Lucketts as her favorite secondhand shopping resources. And of course the occasional lucky find on the side of the road.

Among the greatest dining area splurges was that the chandelier, located on sale for $500 at Fabric Emporium. The dining room table and crimson chairs were given new updates with paint, along with the acrylic seats came from Craigslist. The ceramic elephant on the table is out of an antiques shop.

Beach painting: Theodore Turner

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Annabel considers the kitchen in transition, using its original countertops. There’s a Francis Francis espresso maker, and one of Annabel’s found bits hangs above the sink. The signal in the window is that a flea market detect from a trip to Italy.

Dishwasher: LG

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This painting about the dining room wall cost more than the $200 maximum Annabel typically sets for Salvation Army items.

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This colorful painting of this Washington, D.C., metro sits on a bureau near the entry.

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Annabel’s home office, where she does a lot of her writing, such as a soon-to-be printed book on sewing, is stuffed with her usual eclectic mix: a lion bought at Lucketts, a chrome lamp out of a tiny shop in neighboring Culpeper and an Andy Warhol print of Queen Elizabeth bought on eBay.

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She recently brought back several of these classic items from a trip to San Francisco and Portland. She’s attracted to colour and layout, and purchases bits regardless of size. They’re all references for a upcoming fabric design project.

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When the Wrigleys bought the property, the detached garage was standard of this age, with a dirt floor and also the remains of a roof that was no more keeping out the elements. The couple spent $2,000 renovating the structure to make it more habitable. The budget included building a loft and adding a roof, as well as updating the flooring, insulation and electric and employing a drywall crew for 2 hours.

Before Photo

BEFORE: The shed was once Annabel’sLittle Pincushion Studio, by which she teaches girls how to sew.

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AFTER: When she and her students outgrew the space, the detached garage became a media lounge for the kids.

Before Photo

BEFORE: Among the Ikea pendants within the old sewing studio was reused in daughter Ruby’s room when the studio was relocated.

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AFTER: The space is currently well ventilated and heated using a little space heater. On the wall is just another thrift shop painting. Acrylic nesting tables have been bought for $5 apiece, too from a thrift shop.

Tree blossom: Home Goods

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Darren built the desk, and Annabel upholstered the rear wall using the striped fabric. The blossom is a thrift shop find, while the artwork is by son Oliver. Annabel did the silhouettes.

Rug: Home Goods; bamboo laminate flooring: Home Depot

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Annabel and her students decorated the new, larger sewing studio, revealed here; it’s located in downtown Warrenton. Courses range from crochet patterns for boys to the way to sew sensed mushrooms.

In additon to the Pfaff, Bernina and Viking sewing machines employed by the kids for their projects, the new 1,400-square-foot studio (a shared space referred to as Confetti) also houses Annabel’s collection of classic machines, classic fabrics, textiles and course projects from students. “It’s controlled chaos — always,” she states.

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A number of the same decorating principles found from the Wrigley house will also be at play in the studio — white couches, colorful patterns and DIY art. Everything on the walls is handmade.

From the parents’ waiting place (shown here), the pillow on the sofa is part of a course project. Annabel found the white chair in the Salvation Army. When she brought it back, she couldn’t follow through with her first plan to have the kids paint grafitti on it. Instead, she used fabric paint to create a heart pattern.

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Annabel, revealed here, says her next major project is that the kitchen in her home.

See more photos of this creative home | please reveal your house!

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A Film Festival Explores Buildings and the Lives They Touch

The fifth annual Architecture & Design Film Festival returns to New York City this month (October 16-20 in Tribeca Cinema), viewing 25 brief and feature-length films exploring the connection between film and architecture.

At first blush, the idea of a film festival on architecture and design seems a little strange. Granted, it’s difficult to deny the role of design — known or unknown, existing or set design — in providing sometimes transcendent places for films. But films about design do not tend to be as engrossing as their fictional counterparts.

Happily, festival co-directors Kyle Bergman and Laura Cardello have the ability to choose films from a far larger pool, presenting the highlights that profile legendary architects, walk us through buildings, show us a different side of a building’s occupants, or even reveal the joys of cities. The films do a lot more, but Bergman told me this season’s event will be more about urbanism, tapping into that last theme. Additionally, there are several films on houses and housing, the focus of this ideabook.

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The Oyler House: Richard Neutra’s Desert Retreat
Directed by Mike Dorsey
2012 / 46 min / USA

The Oyler House is “a beautiful movie,” Bergman told me, about a working-class guy named Richard Oyler who grew up in Southern California, headed off to war and returned to work a government job.

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Having a desire to construct a modest household but no comprehension of structure, Oyler has been granted some books on design from a librarian. He proceeded to fall in love with all the buildings of Richard Neutra, an Austrian emigre who played a large part in the explosion of contemporary architecture in the area in the middle of last century.

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Oyler did not need to convince Neutra much, for it had been the breathtaking desert locale that made the improbable pairing happen. In this sketch by Neutra, it’s clear he piled the home in its site and oriented it toward the distant mountains, as seen in the previous photo.

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The home is currently owned by actress Kelly Lynch and her husband, producer Mitch Glazer, that are interviewed in the movie. (The “archiphiles” also have a home designed by John Lautner, another famous L.A. architect.) Oyler is also interviewed, as are two of Neutra’s sons.

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The Barragán House. A Universal Value
Directed by Tufic Makhlouf Akl
2011 / 30 min / Mexico

Mexican architect Luis Barragán’s own home is one of the most celebrated contemporary houses (it’s on the UNESCO World Heritage list), albeit one that departs from what’s usually considered contemporary.

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Yes, the partitions are planar and kept free from decoration, but colour is used generously — nonetheless carefully.

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The landscape is also an integral component of the home, if in carefully framed views or as an expansion of the home’s functions into courtyards.

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Constructed on Narrow Land
Directed by Malachi Connolly
2013 / 64 min / USA

This movie tells two tales: how contemporary architects like Walter Gropius managed to construct contemporary, Bauhaus-esque cottages in conservative Cape Cod; and what happened to the houses after the property became a part of Cape Cod National Seashore at 1959. Upon the passing of the houses’ owners, the buildings became National Parks property and very few remain.

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The multifaceted story looks at a few issues that are firmly contested in the United States: how to build on and also with character (it’s precarious, if this photograph is any indication), and the value of personal property when eminent domain rolls about.

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The Absent Column
Directed by Nathan Eddy
2013 / 8 min / USA

Two or Three non-residential films in ADFF of attention (at least to me) include one on Bertrand Goldberg’s Prentice Women’s Hospital at Chicago. Preservationists fought the city and unfortunately lost a concrete concrete construction by the architect of the famous Marina City (aka “corn cob towers”).

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The Human Scale
Directed by Andreas Dalsgaard
2012 / 77 min / Denmark

The influential Danish architect and urban planner Jan Gehl is in the heart of this movie about what happens when the concentrate on building cities would be the “life between buildings,” each title of one of Gehl’s famous books. Gehl is responsible for a lot of the pedestrianization of Copenhagen’s roads (pictured here), and he brought that exact same thinking to New York City to make areas such as Times Square better spaces for people rather than cars.

Info: The Architecture & Design Film Festival, founded in 2009, occurs from October 16-20, 2013, in Tribeca Cinemas, 54 Varick St., New York City. The festival then plays in Los Angeles (March 12-16, 2014) and Chicago (April 24-28, 2014).

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The Best Things in Raised Vegetable Beds to Plant

A elevated bed provides a garden area where you are able to add dirt than you’ve elsewhere in your lawn. Beds work particularly well because the elevated bed will aid drainage so vegetables may grow if your soil drains badly. Almost any garden vegetable works well in a bed, but knowing exactly what plant traits to search for ensures you choose the best of every variety for your garden that is elevated.

Grow Up

Permit more to grow in the confines of the raised bed. Annual rod beans (Phaseolus vulgaris) and peas (Pisum sativum) work particularly well on a trellis. Indeterminate tomatoes (Solanum lycopersicum), which are usually grown as annuals, trained to a stake, also take up minimal room should you keep them tied up. Annual dwarf melons and cucumbers (Cucumis sativus) may also be trained up a trellis. When developing plants, set them on the north side of their bed so that they do not block sunlight.

Alternatives, Alternatives

When choosing vegetables like peppers (Capsicum spp.) Choose those tagged or dwarf types. Smaller normally grows or produce fruits that are smaller. Some varieties of plants are also smaller and better suited for a raised bed, such as growing leaf lettuce (Lactuca sativa) instead of head lettuce. When planting your raised bed Pick varieties listed as disease-resistant. The plants are grown closer together in a bed, which makes it easier for diseases to spread if you plant varieties that were susceptible.

Down Under

A raised bed provides optimum growing conditions for root vegetables because the looser, better-draining soil. Annual vegetables, like potatoes (Solanum tuberosum), onions (Allium cepa) and carrots (Daucus carota) can produce more in this looser soil. Little, quick-producing annual root vegetables, like radishes (Raphanus sativus), consume minimal space. You can plant these between bigger plants and harvest them because radishes usually grow in under a month, until the other plants grow to full size.

Repeat Producers

Perennial vegetables may perform exceptionally well In case you’ve got enough space for a bed and annually you won’t need to replant them. Asparagus (Asparagus officianalis), which develops in U.S. Department of Agriculture plant hardiness zones 2 , does not tolerate disturbance or moist soil so that it could flourish in a raised bed with good soil. Rhubarb (Rheum x cultorum), which develops in USDA zones 3 through 8, also develops well in a raised bed if you split the plants about every five decades. Together, as perennials establish, radishes or small annual herbs are able to grow during the first year to help until your vegetables begin to produce, fill out the empty spaces.

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How to Clean a Discolored Marble Tabletop

Gorgeously veined and marvelously cool, marble is a timeless choice for tabletops. While this elegant stone may seem solid, though, looks could be deceiving. Marble is a porous material, which makes it vulnerable to discoloration in addition to stains from spills and drips. Cleaning which tabletop with the appropriate strategies and materials will maintain the look you love.

With a solution of warm water and dish soap, thoroughly wash the surface of the marble. Use the rough side of a kitchen sponge to gently scrub the surface. Dry the marble entirely using a clean rag.

Fill a spray bottle with hydrogen peroxide. Spray the marble until the surface is evenly soaked with the solution. Cover the entire surface when addressing complete discoloration. Manage a smaller stain by limiting the spray to that area.

Combine hydrogen peroxide and baking soda in a bowl to make a loose paste. Use the mixture evenly across the marble table to take care of complete discolorations. Immediately cover surface areas with plastic wrap. Stretch the plastic wrap tightly under the table to make a safe covering. To treat stains without treating the entire table, use the mixture simply to the stained area and cover with plastic wrap. Use masking tape to hold the plastic in place. Allow the mix to sit covered for 24 to 48 hours.

Remove the plastic wrap and wipe the rest of the portion of the table. If necessary, repeat the process until the discoloration has been corrected.

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How Many Years If a Gas Furnace Last?

The first time your gas furnace stops putting out heat over a winter night is not the opportunity to consider whether it is nearing the end of its useful life. Warranties typically cover individual components for variable periods and more efficiency, but your furnace might outlive them all. Your furnace might be in good health at age 35, but it’s lived at least 10 years past the average.

Law of Averages

In a report prepared by the Department of Housing and Urban Development in 2000, the typical life of a gas-fired furnace was estimated in 18 decadesago Other estimates average 15 to 25 decades. How frequently your furnace is employed determines tear and wear to components involved in stopping and starting the system, such as fans and digital ignitions. Its efficiency might impact control mechanisms, how much fuel the furnace uses and how much sooting occurs in burners. Regular inspection and cleaning affects efficiency and also identifies components that require replacement, possibly lengthening lifespan.

Once the End Comes

Before replacing your old furnace with a new, super-efficient unit, call your utility company for an energy audit to identify ways to save energy in your house. Gas furnaces might not get enough usage in a Mediterranean-type climate to warrant a 97-percent-efficient unit. On the other hand, a less expensive 80- or 90-percent-efficient unit coupled with increased insulation, duct cleaning or repairs, along with e-glass windows, might pay off previously — and last longer.

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What Is a Companion Plant to Tomatillos?

The tomatillo (Physalis philadelphica) is a green, tomato-like vegetable that’s used to create Mexican salsa verde. Tomatillos grow as annuals in the house garden. The plant needs two to 3 months to raise and produce fruit and therefore are cultivated in the same fashion as tomatoes. The fruit is ready to harvest when the newspaper covering of the tomatillo turns brownish. Several plants can grow as companion plants into the tomatillo in your own garden.

Herbs

Tomatillos grow nicely with basil and parsley. Basil helps you to repel hornworms that eat the fruit. The herb also keeps away other harmful pests such as mites. Parsley helps to repel the asparagus beetle and attracts hoverflies whose larvae eat aphids. The herb also attracts predatory wasps that eat other pests. Just as basil and parsley are utilized to complement tomato dishes, then the herbs may also be used with tomatillos.

Pollinators

Tomatillos must either be hand-pollinated or get some assistance from bees and other pollinators. Adding companion plants that attract these pollinators can assist in the pollination of your tomatillo plants. Marigolds and nasturtiums are two flowering plants that attract pollinators. Marigolds also have the added benefit of repelling nematodes in the soil, while nasturtiums discourage white flies.

Vegetables

Some root plants that work as companion plants to tomatillos include carrots and onions. Onions drive off beetles, spider mites and ants in the garden, plus you may use the onions after turning the tomatillos into salsa. Carrots split the soil as they grow so the roots of the tomatillo plants are not confined. Other vegetable plants that work nicely as a companion to this tomatillos include hot peppers and asparagus. The peppers help prevent root rot, while the asparagus shields the tomatillo plants from root nematodes. Tomatillos also grow nicely next to peas, which add nitrogen to the soil.

Unfriendly Plants

Tomatillos are incompatible with a couple of garden favorites, nevertheless. Corn and kohlrabi should be planted in a separate region of the garden when growing tomatillos. Corn attracts pests that attack the tomatillo plant, and kohlrabi stunts the development of this tomatillo plant. The plant does not grow well with fennel or dill, either. Both dill and fennel contain oils that inhibit root growth and could destroy neighboring plants. Potatoes and eggplants attract potato beetles and potato aphids and shouldn’t be planted near tomatillos, which can also be vulnerable to these pests.

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How to Dye Cushion Covers

Before getting rid of your old cushions and purchase new ones, consider the choice of dyeing the cushion covers at home. Whether they have become stained, dated or don’t match your decor any more, a cheap box of fabric dye will alter old cushion covers into something such as new. This do-it-yourself project will be most successful if your cushion covers are produced from a natural fiber like wool, cotton, linen or silk, and when their current color is lighter than the colour you would like to dye them.

Remove the covers from the cushions. If your cushion covers aren’t designed to be removed, carefully unpick one of the side seams with embroidery scissors or a seam ripper, just enough to take out the cushion kind or stuffing from the inside. Be ready to sew this seam back together by hand once you’ve dyed the covers — if you don’t have basic sewing skills, recruit a crafty friend or family member to assist.

Bring 2 cups of water to a boil in a saucepan or kettle. Put on your rubber gloves and apron.

Transfer the boiling water into your bucket or basin and sprinkle or squeeze in the water the amount of dye recommended for the approximate quantity of fabric you will be working with. Stir the mix with an old wooden spoon (one which will no more be utilized for food) until dye is fully dissolved into the water.

Add more warm water into the bucket or basin till you have enough water to fully submerge your cushion covers. You don’t have to boil the extra water, but allow the faucet run until it’s hot.

Place the cushion covers into the dye bath and submerge them with the wooden spoon until the cloth is fully saturated. Allow the cushion covers soak for approximately five minutes.

Add 1 cup of salt into the solution if your cushion covers are made from cotton, linen or rayon. If your cushion covers are silk, cotton or wool, add 1 cup of white vinegar instead. Stir the mix with the wooden spoon. The vinegar and salt assist the dye penetrate the cloth’s fibers.

Soak the cushion covers from the dye solution for around an hour, based on the thickness of color you would like. Every five minutes or so, agitate the cloth by wrap it around from the process with the spoon. Periodically lift one of the covers partially from the bathroom to examine its new color. Keep in mind that when the fabric is dry, the color will be lighter than it appears when moist.

Eliminate the cushion covers from the dye bath when the color is to your liking. Gently squeeze the excess dye alternative out. Rinse the cloth under warm water at first, then under cold water until the water runs clear. Squeeze the excess water from the cushion covers and dry them on a clothesline or at your dryer.

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Wood Burning Stove Facts & Practices

Wood burning stoves have a place in history as well as the present. But changing social attitudes about healthy air as well as the governmental regulations that have accompanied them mean that the wood burning stove today isn’t the same as yesteryear. In some nations, use of wood burning stoves as well as fireplaces are severely restricted. In California, the regulations vary according to county constraints or regulations imposed by the local Air Quality Management District. In the Bay Area, as an instance, only wood burning stoves that meet the Environmental Protection Agency (EPA) Phase II regulations could be legally installed or sold. Additionally, visible smoke emissions must be kept to a specified minimum standard, and even the timber commercially available to use in wood burning stoves or fireplaces must be seasoned and never to exceed that a moisture content of 20 percent.

Old-School Wood Burners

Wood burning stoves fabricated prior to the first round of EPA regulations took effect in 1988 are inefficient and discharge unhealthy levels of airborne particulates and toxic gases into outside air as well as the interior of the home. From a health standpoint, many of the long-term consequences of exposure to the release from a pre-1988 wood burning stove would be like those resulting from breathing second-hand cigarette smoke. If you are within a home heated by a wood burning stove and you can smell the wood smoke, you are being exposed to those health hazards. Since these old wood stoves burn wood more rapidly, they also use more fuel, cost more to work and create more residual by-products from the chimney and stove, like flammable creosote, which is a fire hazard.

The New Generation of Stoves

Newer wood burning stoves must comply with the EPA Phase II regulations which strictly limit emissions. Today, the EPA mandatory smoke emission limit is 7.5 grams of smoke per hour for noncatalytic stoves and 4.1 grams per hour for catalytic stoves. New technology in wood burning stoves has created these emission targets very accessible — several models have smoke emission levels as low as 1 gram per hour, and many burn seven times cleaner than old stoves. Consumers comparison-shopping to get a new wood burning stove might assess the EPA White Label affixed to your cooker for emissions specifications for that model.

Noncatalytic Models

Noncatalytic wood burning stoves would be the less expensive and much more widely-used models. These stoves incorporate several features to raise the efficiency of combustion and limit emissions. These include enhanced firebox insulation, a system to present preheated combustion air to the chamber and an expanded baffle to expand the gas pathway, resulting in more complete combustion of gaseous emissions. Some parts of a noncatalytic cooker, particularly the baffle, can degenerate over time because of exposure to high temperatures and require replacing.

Catalytic Stoves

Catalytic wood burning stoves are the most efficient and produce the least emissions. These units include a ceramic catalytic combustor coated with a rare-metal catalyst to combust gaseous components of smoke as well as airborne particulates, reducing emissions to a minimum. Catalytic stoves burn wood very slowly and create the best heat electricity output from a specified quantity of fuel. Earlier generations of catalytic wood-burners necessitated replacement of the catalytic combustor, sometimes in as few as two years, since the catalyst dropped effectiveness with time. But improvements in the technology have resulted in catalyst systems that last six to eight seasons with only nominal growth in emissions before replacement is needed.

Great Wood Practices

The California Air Resources Board (CARB) advocates specific wood burning techniques for greatest efficiency and decreased emissions from wood burning stoves. Softwood kindling like pine or fir is preferred for starting the fire because it ignites burns and fast warm, bringing the firebox up to temperature quickly. For the main passion, hardwoods like cherry and oak are dense forests that burn long and create less smoke, while delivering more heat energy than softwoods. All firewood of any sort should be “seasoned” — dried out, rather in a sheltered place — for at least six months following splitting. Some hardwoods may require as much as a year of seasoning before they are appropriate for burning. For use at a wood burning stove, CARB recommends wood that’s been dried to a moisture content of 20 percent or less by weight.

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The way to Establish a Regulator Clock

A regulator clock is a generic term for a wall-mounted, weight-driven clock regulated by a swinging pendulum. Invented in the late 18th century to improve upon the truth of spring-wound clocks, regulators usually have separate mechanisms for the hour and minute hands. Once the design was standardized in Vienna, regulator clocks became the most favored timekeeping apparatus in official locations like train depots and post offices throughout Europe and then America. In clock shops, a Navy had been always used as the time standard to which all other clocks in the store were put. Regulators are put by increasing or decreasing the speed of the pendulum swing.

Synchronize the regulator clock into a known accurate time source like the time displayed on a cellphone or pc. Expand the minute hand just in a clockwise direction to place the clock hands to the time.

Wait 24 hours, then compare the time on the regulator clock to the time exhibited through an accurate time source to ascertain any discrepancy in the clock’s precision.

Stop the swing of the pendulum and hold the pendulum still in 1 hand. Find the knurled pendulum speed adjustment nut to the shaft, just beneath the pendulum weight.

Expand the pendulum adjustment nut clockwise to accelerate the pendulum swing and boost the speed of the clock. Expand the pendulum adjustment nut counter-clockwise to slow the pendulum swing as well as the speed of the clock. Each 360-degree rotation of the nut alters the speed of the clock by 30 seconds each 24-hour period.

Wait another 24 hours, then evaluate the time on the regulator clock to the time exhibited through an exact time source. Make additional alterations to the nut to fine tune the accuracy of the clock. Accuracy to within plus or minus two minutes each week is deemed optimal for the design of a regulator clock and also generally can’t be further improved.

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Flowers for Planters That Get No Direct Sun

There are few pleasures greater than the usual house garden filled with flowers. When gardening in vandalism which will have no direct sunlight, you can enjoy a pretty display of easy-to-care-for perennial woodland plants which can grow happily in shade. Perennials provide displays which return every year.

Serpentine Columbine

Columbines are famous for their lovely, delicate foliage. The serpentine columbine (Aquilegia eximia) blossoms in the summer and spring, and its refined red flowers are attractive to hummingbirds. It’s well-suited to a Mediterranean climate and also likes some moisture but will tolerate brief periods of drought. Once established, the only other attention you want to give it’s in autumn, once you need to remove old flower stalks and leaf to make way for new growth in spring.

Lenten Rose

The Lenten rose (Helleborus x hybridus) is a staple of the shady garden, and also being a little plant, copes easily with growing in a planter. Its pink spring and winter flowers are reminiscent of wild roses and it has attractive, evergreen foliage. To take care of this plant, you need only remove spent flower stalks and water enough to keep the soil from drying out completely.

Ivy Leaf Cyclamen

The ivy leaf cyclamen (Cyclamen hederifolium) offers the benefit of appealing flowers and leaf. It’s scented white or rose-pink blossoms and appealing silver-marked leaves. It blooms in late summer and autumn until the leaf appears, grows well in a Mediterranean climate and also tolerates most soil types. You can grow this little plant successfully in planters, in tiny clumps dotted among larger perennials. It tolerates drought well and will return year after year with little attention.

Rosada Coral Bells

Rosada coral bells (Heuchera ‘Rosada’) offers airy pink spring flowers on stalks that stand prettily over its leaf. This is a great flowering, medium-sized perennial which grows well in shade planters. It needs little watering and is attractive to beneficial insects and hummingbirds. The only attention you’ll need give it would be to remove its spent stalks after flowering.

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